William Shakespeare: The Man, The Myths, and The Mysteries

This detailed history of William Shakespeare categorizes his life into established facts, well-grounded theories, and ongoing historical debates. It covers his documented life in Stratford and London, the likely realities of his education and collaborative writing process, and the enduring mysteries surrounding his authorship, religion, and sexuality.

William Shakespeare: The Man, The Myths, and The Mysteries
Audio Article

Few figures in human history are as celebrated, yet as shrouded in mystery, as William Shakespeare. To understand him is to navigate a landscape where hard documentary evidence sits side-by-side with centuries of speculation. To get a clear picture of the Bard, we must separate what is carved in stone from what is written in smoke. This is the comprehensive history of William Shakespeare: the undeniable facts, the highly probable theories, and the enduring debates.

The Solid Ground: Undeniable Facts

Let us begin with the solid ground—the things we know for a fact. William Shakespeare was born in the market town of Stratford-upon-Avon in April 1564. While we lack a birth certificate, we have the parish register recording his baptism on April 26th. He was the son of John Shakespeare, a glove maker and local politician who rose to become the town's bailiff, and Mary Arden, who came from a prosperous farming family. We know that at the age of eighteen, William married Anne Hathaway, a woman eight years his senior. Their marriage license bond is a matter of public record, dated November 1582. Six months later, their first daughter, Susanna, was born, followed in 1585 by twins, Hamnet and Judith. Tragically, Hamnet died at age eleven, a fact that many scholars believe deeply influenced the playwright’s later tragedies.

We also know for certain that by 1592, Shakespeare was established in London. We know this because he was famously insulted in a pamphlet by a rival playwright, Robert Greene, who called him an "upstart crow." From then on, the paper trail grows thicker. He became a key member, actor, and shareholder of the Lord Chamberlain’s Men, later known as the King’s Men. His name appears on tax records, real estate deeds in Stratford where he bought the second-largest house in town, and court documents. Finally, we know he died on April 23, 116, at the age of 52, and was buried in the chancel of Holy Trinity Church in Stratford. Seven years later, two of his fellow actors, John Heminges and Henry Condell, compiled his plays into the First Folio, preserving works like Macbeth and The Tempest which might otherwise have been lost forever.

The Realm of the Likely: Scholarly Consensus

Now, we move into the realm of the likely—theories that, while not 100% proven, are supported by strong circumstantial evidence and general scholarly consensus. First is his education. There are no surviving class rosters, but it is overwhelmingly likely that William attended the King Edward VI Grammar School in Stratford. As the son of a high-ranking local official, he would have been entitled to free tuition. The curriculum there was grueling, focused almost entirely on Latin grammar and classical literature—exactly the kind of Ovidian and Roman source material that saturates his plays.

Another highly probable reality concerns the infamous "Lost Years"—the period between 1585, when his twins were born, and 1592, when he surfaces in London. While popular legends suggest he fled Stratford after poaching deer, modern scholarship leans toward more professional explanations. It is widely believed he may have worked as a schoolmaster in the country or, more likely, joined a touring acting troupe that visited Stratford, effectively learning his trade on the road before arriving in the capital.

We also now accept as a "likely reality" that Shakespeare was a collaborator. For centuries, the image of the solitary genius prevailed, but modern stylometric analysis suggests he co-wrote many plays. It is now generally accepted that he collaborated with Thomas Middleton on Timon of Athens and adapted Macbeth, and worked with John Fletcher on his final plays, Henry VIII and The Two Noble Kinsmen. He wasn't a lone wolf; he was a working professional in a busy playhouse.

Areas of Fierce Debate: The Enduring Mysteries

Finally, we arrive at the areas of fierce debate—the questions that keep historians and biographers up at night. The most famous is the "Authorship Question"—the theory that William Shakespeare of Stratford was merely a front for an aristocrat like the Earl of Oxford or Francis Bacon. While the academic world is nearly unanimous that the man from Stratford was indeed the author, the debate persists in the public imagination, fueled by the idea that a commoner couldn't possess such intimate knowledge of court life and foreign lands.

A more academic debate surrounds his religion. Was Shakespeare a secret Catholic in Protestant England? We know his father, John, had Catholic sympathies, and a document found in the 18th century purporting to be John’s "spiritual testament" suggests as much. Some scholars argue that William’s "Lost Years" were spent in Lancashire in a Catholic household. The evidence is tantalizing but inconclusive, leaving his true personal faith a mystery.

And then there is the question of his sexuality. Shakespeare wrote 154 sonnets. The first 126 are addressed to a "Fair Youth," a young man for whom the poet expresses intense, often romantic affection. The latter poems address a "Dark Lady" and are more explicitly sexual. Was the Bard bisexual? Was he gay? or was he simply adhering to Renaissance conventions of intense male friendship which used the language of love without sexual intent? We simply do not know.

What remains, when we strip away the myths and the debates, is a man who was undeniably human: a father who mourned his son, a businessman who worried about his investments, and an artist who, despite the limits of his mortality, managed to capture the infinite variety of the human experience.

Backgrounder Notes

As a library scientist and researcher, I have identified several key concepts, historical figures, and technical terms from the article that would benefit from additional context. Here are the backgrounders for these items:

1. Lord Chamberlain’s Men / The King’s Men

Established in 1594 under the patronage of Henry Carey, the Lord Chamberlain, this was the leading theatrical company in London for which Shakespeare was the primary playwright and a shareholder. Upon the ascension of King James I in 1603, the company received a royal patent and was renamed the King’s Men, signifying their elite status in the Jacobean era.

2. The First Folio

Published in 1623, seven years after Shakespeare’s death, this was the first collected edition of his plays, organized into Comedies, Histories, and Tragedies. It is considered one of the most influential books ever published, as it contains 36 plays, 18 of which—including Macbeth and Julius Caesar—had never been printed before and might otherwise have been lost.

3. Robert Greene and the "Upstart Crow"

Robert Greene was a "University Wit" and established playwright who published a scathing pamphlet in 1592 attacking Shakespeare as an "upstart crow, beautified with our feathers." This document is historically significant as the first definitive evidence that Shakespeare had arrived in London and was already successful enough to provoke jealousy among the educated elite.

4. Stylometric Analysis

This is a research method that uses statistical modeling and computer algorithms to analyze a writer's unique linguistic "fingerprint," such as word frequency, sentence structure, and rhythmic patterns. In Shakespearian studies, it is the primary tool used to identify which parts of plays were co-authored by other playwrights like John Fletcher or Thomas Middleton.

5. Ovidian Source Material

This refers to the works of the Roman poet Ovid, particularly his masterpiece Metamorphoses, which explores themes of transformation and mythology. Shakespeare’s frequent use of Ovidian imagery and plots serves as strong evidence that he received a rigorous classical education at the Stratford grammar school, where Ovid was a staple of the Latin curriculum.

6. The Authorship Question (Oxfordian Theory)

This is the fringe theory that William Shakespeare of Stratford lacked the education to write the canon, suggesting instead that the works were written by an aristocrat, most commonly Edward de Vere, the 17th Earl of Oxford. While popular in some public circles, mainstream historians reject this due to an abundance of documentary evidence linking the Stratford man to the plays and the fact that de Vere died before several of the plays were written.

7. Bailiff

In the context of Elizabethan local government, a town bailiff was the highest-ranking civic official, roughly equivalent to a modern-day mayor. John Shakespeare’s election to this office in 1568 indicates that William grew up in a household of significant local prestige and political influence.

8. Shakespearean Sonnet Structure

A sonnet is a 14-line poem, and Shakespeare popularized a specific English variation consisting of three quatrains (four-line stanzas) followed by a final rhyming couplet. This structure allowed him to present a complex problem or emotion in the first 12 lines and provide a sharp, often surprising, resolution or "turn" in the final two.

Link copied to clipboard!